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Hi Gang!
Here we are going into our fifth month of the pandemic. Tens of thousands of Americans have died, many of us are unemployed and struggling, and there's no end in sight.
I feel comparatively lucky - thus far I've avoided getting sick, my day job as a used bookseller has proven both resilient and deeply gratifying, and I've gotten quite used to wearing a mask. On the down side: I haven't been able to see my mom since March, and I live in a virus hotspot (Southern California), but I still consider myself fortunate.
For one thing, there's some good writing news (see the WipIt section), my pumpkin plants are blooming, and there's some damn fine stuff on the streaming services these days (as a Charlize Theron fan, I adored The Old Guard on Netflix).
I hope you're staying healthy and finding something to enjoy in your own Summer of '20.
Lisa
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Still Life
In which I rhapsodize about favorite movie photos from my collection
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Pickfair.
If you were around L.A. prior to 1990, you certainly knew of this fabled place, and maybe you'd even been to a party there (I'm actually not sure if I was or not). It was once the home of two of the greatest stars of all time, Douglas Fairbanks and Mary Pickford (hence the name "Pickfair"); Fairbanks purchased it in 1919 as a gift to his new wife. Originally built as a hunting lodge, it was extensively remodeled by famed architect Wallace Neff.
Sometimes we hear about a place like Pickfair and forget that it was once someone's beloved home. That's why I love this postcard from about 1920: this famous photograph (which was reproduced in magazines and newspapers around the world) shows the two great stars at their most playful, pretending to paddle a canoe through their swimming pool. Pickfair's pool, by the way, was the first in-ground swimming pool attached to a private home in the Los Angeles area.
Although Mary and Douglas divorced in 1936, Mary continued to live at Pickfair until her death in 1979. The house was purchased by Pia Zadora and her husband in 1988, but they demolished it (to the horror of many) in 1990. Although they initially claimed it had a termite problem, Zadora later 'fessed up to a different kind of infestation: she claimed Pickfair had been seriously haunted.
Zadora may not have been happy with the house, but I can only imagine how much Mary must have loved the gorgeous home where she spent most of her life.
About the Still: this is actually a vintage postcard from my collection devoted to the history of Los Angeles. Click here to see more of my cards.
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The Halloween Spirit
Tips for keeping it going all year 'round
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Is it just me, or is the 2020 Halloween candy as crazy as the rest of the year?
Okay, I know that every year the big candy companies delight in rolling out their latest bizarre concoctions for Halloween, but this year the unveilings seem particularly...umm...deliciously odd. Here's what Hershey's has announced:
- Hershey's Vampire Kisses - milk chocolate filled with strawberry creme
- Reese's Franken-cup - milk chocolate with green creme bottom
- KitKat Witches Brew - they're...ummm...green (and have a marshmallow flavor)
- Hershey's Cookies 'n' Creme Fangs - fun-sized bars with little fang designs imprinted
This, of course, is in addition to popular holdovers like Pumpkin Pie KitKats and Glow in the Dark M&Ms (fortunately it's the bags that glow in the dark, not the candy).
Which ones will you try?
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Strange Fruit
The weirdest thing I've recently uncovered in my research
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Ruth Edna Kelley haunts the public library in Lynn, Massachusetts.
In case you're wondering who Ruth Edna Kelley is, permit me to explain: Kelley wrote the first major book on Halloween,1919's The Book of Hallowe'en. At the time she was a 26-year-old librarian living and working in Lynn, Massachusetts. What's amazing about her book is that it's mostly accurate, more so than some that came after. Her writing style is fun, and the book itself is a gem, with a beautiful cover design and some charming black and white interior illustrations (also incredibly scarce and sought after in the first edition).
Kelley wrote only one other book, nearly thirty years after The Book of Hallowe'en: A Life of Their Own is a book investigating and contrasting various metaphysical schools and philosophies. She died in 1982, at the age of 88.
But apparently death was no reason for her to stop being a librarian! Her ghost has been reported in the library where she worked for nearly forty years.
If I ever get to Lynn, Massachusetts, I'd love to convince that library to hold a seance!
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The Halloween Encyclopedia
Speaking of Ruth Edna Kelley and her classic The Book of Hallowe'en...
I get asked all the time how I became a Halloween expert, and it all started with my own book, The Halloween Encyclopedia, first published in 2003. Here's the thing: although I certainly always enjoyed Halloween, I never set out to be an expert. Instead, I fell into it by sheer happenstance.
I'd just published my first full-length book, The Cinema of Tsui Hark, with a company called McFarland and Co. We'd had a good experience working together, and they asked me if I'd like to do another book. I didn't have any ideas, so I looked at a recent catalog of their books and saw they'd just published something called The Christmas Encyclopedia, so I thought, Hmmm...nobody's ever done a Halloween Encyclopedia. I had a small collection of vintage Halloween pamphlets and books - including a first edition of The Book of Hallowe'en that I'd acquired before it skyrocketed in price - and so I had some familiarity with the holiday's history already.
For some ridiculous reason, I thought it would be easy to write...
It took years, and by the time I was done with it, I'd accumulated so much material on Halloween that it was easy to roll it over into other books.
Now I love being a Halloween expert, even though it was nothing I'd ever planned on!
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Let's talk about self-publishing.
As you might guess, I participate in a lot of discussions about writing, and, if a writer is bemoaning their lack of success, at some point someone will invariably suggest they self-publish.
I haven't self-published much, for a few reasons. The main one is that I've had enough luck and experience now in my career that I can make more money as a traditionally published writer ("traditionally published", in case you aren't wasting tons of time on writing discussions, means that I work with publishers who buy my work, pay me an advance, and then publish my work).
I hear you saying, "That's great for you...but what about those of us just starting out?"
So, let's talk about the pros and cons of self-publishing. Let me assure you right now that I'm not out to discourage anyone from self-publishing, but to think about doing it well and for the right reasons.
First, here are five reasons to self-publish that I believe are bad (and yes, I've heard all of these, repeatedly):
- You haven't been able to sell your work to traditional publishers. First off, how long have you been trying? Have you been trying for years...or only months? Do you know how many rejections most writers rack up before that first acceptance comes? Have you sought out the help of other writers to figure out why your work isn't selling? Lastly: if publishers don't want to buy your work, why do you think readers will?
- You don't like the wait times for responses from traditional publishers. Hey, guess what: NOBODY DOES. But it's part of the game. And here's a little bit of insider information: it isn't just the response to your submission that's going to take forever - there's also the contract, the editing, and the marketing. Get used to waiting - it's part of the writer's life.
- Your work's too edgy for traditional publishers. Oh, sure, right. Oh, wait...wasn't William S. Burroughs traditionally published? Do you actually think you're edgier than him?
- You want to retain control of your work. Sorry, but when you say this, what I hear this: I'm an egomaniac and my work is so brilliant that no mere editor could possibly make it better.
- You don't want to give up any of your earned money to a publisher. Uhhh...a traditional publisher is paying you money up front. That publisher believes in you enough to gamble that your work will sell enough copies to warrant that advance. You do not have to return that money if the book flops; but if the book does well, you'll get even more money, in the form of royalties.
Now, let's look at five real reasons to consider self-publishing:
- You just want to put out a book for your friends and family. That's awesome. It's a wonderful gift for people you care about.
- You've already published other things, and you want to create a nice little giveaway for your readers. Hey, I do this all the time so of course I think it's a great idea!
- You just got back your rights on a book that's already been traditionally published. If your book has already been published, but then stopped selling after a few years and the rights have been returned to you (or the contracted time expired, or the publisher went of business), why not self-publish? It's unlikely that another publisher will buy the book as a reprint, and you can keep the book in print and earn some extra coin by putting it out yourself.
- You really can't wait on response times. Maybe you're an older writer who wants to have some books out before you can't write them anymore, or maybe you're about to lose someone who you know would love to see your finished book; in those situations, self-publishing can be a viable alternative.
- You are a freaking GENIUS at marketing. Here's the thing about self-publishing: I believe it's entirely possible to make a living - and a darned decent one - as an indie author, as long as you are willing to study the marketplace and approach it on its terms, not yours. Can you turn out a new book every 3-4 months? Are you willing to spend 80% of your time on marketing rather than writing? Are you willing to spend money on good editors and artists? If you can answer "yes" to these three questions, then you can probably make a fine income self-publishing, and make a lot of readers happy.
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WIP It
My current works-in-progress
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The big news for August, of course, is the release (on the 4th) of Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers 1852-1923. My co-editor Les Klinger and I will be signing copies of the book for Dark Delicacies; unfortunately, given current circumstances the signing will not be open to the public, but you can pre-order a signed copy here.
I also couldn't be happier to report that the book has a received a starred review in Booklist, who said: "Morton and Klinger refute the popular misconception that the early horror genre had few female writers—in reality, as they show, women writers were forerunners of the genre, often supporting their families through their work and gaining fame, only to be allowed to drift into obscurity and out of print. The two editors bring these authors back into the spotlight here … Feminist and horror-genre readers will jump on this compelling and spooky collection. ”
Both Weird Woman and Calling the Spirits: A History of Seances got a little love recently from Library Journal, in a big article on upcoming horror releases: "Lisa Morton, the world’s eminent expert on Halloween, has a fascinating new book, Calling the Spirits: A History of Seances (Reaktion, Sept.), a fun and thorough look at how humans have tried to communicate with the dead over time. "
I just sold a poem, titled "We Live Through This", to the HWA Poetry Showcase Volume 7.
I've recently recorded several fun podcasts focusing mainly on seances: Paranormal Perception and The Big Seance.
I was very pleased to be invited to be the guest American contributor to Great British Horror 5: Midsummer Eve.
I've also done a number of introductions, forewords, and blurbs recently: I provided an introduction to Loren Rhoads' forthcoming short story collection Unsafe Words; I wrote the foreword for the graphic novel Mary Shelley Presents; for Patrick Freivald's Murmur, I said, "Murmur is at once magical, disturbing, erotic, elegant, smart as hell, and utterly terrifying. Who knew demons and evil could be so sexy?"; and for Alice Henderson'e eco-thriller a A Solitude of Wolverines, I said, "A Solitude of Wolverines is a rare species indeed: an edge-of-your-seat thriller that engages not just the adrenaline glands but the heart and soul as well. With an engaging heroine, an incredible setting and pulse-pounding action, this one is truly a breed apart."
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Calling the Spirits: A History of Seances
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Coming in September in the UK and October 14 in the US as an illustrated hardback. My comprehensive survey of the history of spirit-calling looks at necromancy, Spiritualism, modern ghost-hunting, and more.
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Miscreations, which includes my story "Imperfect Clay", is available now in hardback, paperback, and e-book.
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My story "Antonia and the Stranger Who Came to Los Feliz" will be in this fabulous new anthology, forthcoming from Akashic Books in February 2021.
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In League With Sherlock Holmes
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My story "A Seance in Liverpool" appears in this forthcoming anthology edited by Leslie S. Klinger and Laurie King.
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Includes my poem "We Live Through This."
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Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers 1852-1923
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My Ghost Stories partner Les Klinger and I have re-teamed to dive deep for this anthology of amazing, terrifying stories by early female writers.
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Trick or Treat: A History of Halloween
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My award-winning history of Halloween has just been re-issued in a new less-expensive paperback format!
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The Lovecraft Squad: Rising
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The final volume in this incredible "mosaic novel" includes a chapter by me.
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My story "Family" is in this fabulous anthology, coming in June.
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Great British Horror 5: Midsummer Eve
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I'm the honorary American in this upcoming anthology.
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Are you listening to the free Ghost Magnet with Bridget Marquardt podcast? Each week I provide a "Ghost Report" in which I talk about some cool little bit of history. Plus, there are great guests, and Bridget's a wonderful host!
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It's a signed hardback of my latest, Weird Women! Just click the blue button below to enter, and good luck!
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At this point...who knows?
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