Lisa's March 2020 Newsletter (#39)
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In this issue:

Hi Gang!
 
February was busy around my office, with final editing work on Calling the Spirits: A History of Séances, short stories and articles owed to various editors, some behind-the-scenes work with the Horror Writers Association, and business stuff involving contracts.

That latter concern led to the month's most spectacular news: my Bram Stoker Award-winning novel The Castle of Los Angeles has been optioned by Kirsten Ames Management for actress Daniella Pineda (Jurassic World: Fallen Kingdom, The Originals, and the upcoming Netflix series Cowboy Bebop). I've had the pleasure of spending time with Daniella (who would be absolutely kickass as "Beth" in Castle), and I'm very excited about the possibilities of Castle moving forward with her and Kirsten.

If you happen to be in the SoCal area, I'll be signing at the Vintage Paperback Show in Glendale next Sunday, March 8, at 1 p.m. There'll be a lot of wonderful authors signing there and admission is still only five bucks, so c'mon down!

In the meantime, thanks again for hanging with me here.

Lisa
Still Life
In which I rhapsodize about favorite movie photos from my collection
The Silence of the Lambs...is it horror or mystery?

I was recently asked by the Mystery Writers of America to vote on the 100 Best Mystery Novels, and I was surprised to see The Silence of the Lambs on their previous list. I know I shouldn't be - because, of course, it is about young FBI trainee Clarice Starling's race to find serial killer Buffalo Bill before he takes another victim - but I think of it as horror.

For me, it's all about intent. In both Thomas Harris's original novel and Jonathan Demme's stellar film adaptation, the focus is less on the mystery/thriller aspect, and more on the horror and fear that Clarice experiences as she falls down Hannibal Lecter's rabbit hole. She has her own personal nightmares to contend with, and the way the story skillfully combines her past and present situates it firmly within the horror genre (IMHO).

And yes, of course there's a perfectly valid argument to be made for it being a cross-genre story...but my God, look at the set design in the photo above. If that doesn't look like some Gothic castle, I don't know what does. Also, put on Silence of the Lambs sometime and just listen to it: the sound mix is full of eerie echoes and unidentifiable noises.

I know Jonathan Demme himself denies having made a horror film, but this time I have to disagree.

About the Still: It's a lobby card from the original German set.
The Halloween Spirit
Tips for keeping it going all year 'round
Click to watch the Marianne trailer
Nothing keeps that Halloween spirit alive like a good scare.

And these days, we've got an incredible treasure trove of spooky stuff to choose from on television. The explosion of horror television over the last few years has been nothing less than astonishing.

Before 2019, Stranger Things was my favorite recent televised horror (with the German import Dark coming in second).

Then I saw Marianne.

Marianne is an 8-part French series on Netflix. All episodes were co-written and directed by Samuel Bodin, and follow a hot young horror writer named Emma Larsimon (Victoire Du Bois) who has written a series about a legendary witch named Marianne. When Marianne begins showing up in real life, Emma has to return to her small town and confront her past.

While that sounds like any number of other stories (and Marianne indeed offers up a few homages to Stephen King), Marianne isn't just another show full of beautiful young people and jump scares; it dives deep, asking questions about the responsibilities of the artist, about celebrity, about fate...but it's also full-on scary as hell, and superbly made and acted.

In fact, I'll go so far as to say that it's my favorite piece of filmed horror (movie or television) from the last fifteen years.

Sample the trailer I linked to above. If you decide to check it out, I urge you to go for the subtitled version; the actors are so good that you don't want to miss out on hearing their voices.
Strange Fruit
The weirdest thing I've recently uncovered in my research
I had Sherlock Holmes figured all wrong.

I was recently invited by my good friend Les Klinger and his co-editor Laurie King to write a story for one of their Sherlock Holmes anthologies. Les is a major Sherlockian (his two-volume annotated edition of the Holmes stories and the third volume of the Holmes novels is essential reading), and has been trying to convert me for years.

So I'm just now dipping a toe into the waters of Sir Arthur Conan Doyle's iconic creation...and discovering that much of what we think about Sherlock wasn't actually created by Doyle.

Take his deerstalker cap, for instance. Pretty much every actor to ever portray the great detective on screen has worn one, so surely it was part of the character from the beginning, right? Wrong. Doyle describes Holmes as wearing a "close-fitting cloth cap." The deerstalker first appeared in the illustrations provided by Sidney Paget for The Boscome Valley Mystery in The Strand magazine in 1891.

And how about that memorable curved pipe (called a calabash)? Doyle describes Holmes smoking other pipes, but not a calabash. That apparently came to be associated with Holmes when he moved to stage adaptations; one theory says that the curved pipe was easier for actors to speak around, while another suggests that it could be seen from the back row of a theater.

I look forward to discovering more about the great detective as I dive into my own Holmes adventure!
Behind the Screams
About a Story
"Imperfect Clay" from Miscreations

When I heard that editors Doug Murano and Michael Bailey were putting together an anthology called Miscreations, I knew I wanted to be a part of it; I'm a fan of the work of both fellows, and I found the theme intriguing.

I started by thinking about the title word: "miscreations" suggests a creation gone terribly wrong. Who would set out to create something? Perhaps someone who seeks perfection.

Who would seek perfection, and what kind? How about a woman who has been hurt by men in the past, who is no longer satisfied with her relationships and thinks she can create the ideal partner for herself?

Next, I thought about how that creation should occur. I wanted to get as far away from Frankenstein as possible, so opted for a pure fantasy approach and made my young creator a magician. I liked the idea of having the creation be the biggest test of her life - it would determine whether she would complete her magical training or not - to give it extra importance.

The rest flowed naturally from there, and I will give no more of the story away - you'll have to read it for yourself1
Order Miscreations
The Write Stuff
Tips for my writing friends

Facebook. Let's talk about it.

I already hear some of you shouting, "But wait - what about all the other social media platforms?" Yes, of course, there are other social media platforms, and we can talk about them separately...but for now, let's focus on the first one to surpass 1 billion users and - with 2.45 billion users currently - the one that's still the biggest on the planet.

I also want to talk about Facebook because it's been so much in the news lately. At the beginning of February, Stephen King tweeted about leaving the platform: "I'm quitting Facebook. Not comfortable with the flood of false information that's allowed in its political advertising, nor am I confident in its ability to protect its users' privacy" (and here's one of the most interesting answers to King's action that I've read). Others complain about the amount of vitriol on the site, the political arguments, or the ceaseless "Buy my book!" spam on the part of some authors.

Is Facebook worth the aggravation?

Yes.

I'm not saying this just because it can be a useful promotional tool, although that's true (as long as you use it well - see below for some tips). I've always thought of Facebook as an online cocktail party: you drop in, check out the various little groups, find the one with a discussion you enjoy, hang out for a while, work in a mention of your book if it's appropriate, then head home.

Here's the valuable part of Facebook: it's all about connection. It allows you to make (first) contact with readers and other writers. In addition to offering the possibility of exposing yourself to new fans, you can interact with authors you admire. Just this morning I exchanged lovely messages with Emil Ferris, the author/artist behind the brilliant graphic novel My Favorite Thing is Monsters.

There are a few key things that you, as an author on Facebook, would do well to remember. Here are my top five suggestions:

  1. Don't friend someone and immediately invite them to like your author or book page. This is one of the top things I see established authors complain about, and many of them have a policy of blocking authors who engage in this practice.
  2. Do engage with others on their posts. If you only wait for people to respond to your posts, they'll start to notice sooner or later. Respond positively to things your Facebook friends have said.
  3. If you feel the need to post about a political topic or another discussion that might be controversial, be prepared to deal with splashback. We all get passionate about things that happen to us and things we believe, but not everyone is going to agree with you. In addition, there are trolls who will lurk until you post something they can pounce on, so just be prepared.
  4. Don't post nothing but "Buy my book". Readers who find you on Facebook want to know more about you, not just your book. If you're going to post frequently about your own work, then make the posts entertaining in some other way - include a joke, a hat-tip to another author, a great photograph, a writing tip, whatever.
  5. Try to double-check your posts for spelling and punctuation. Remember: you're an author, so your Facebook friends are watching things like this. If your posts are consistently filled with errors, readers (and editors, because they're on Facebook, too) may start to wonder about the quality of your prose.
Most importantly: TRY TO HAVE FUN! If you have fun, your readers and friends will, too.
 
WIP It
My current works-in-progress
Work continues on Calling the Spirits: A History of Séances. I'm currently making my way through proofreading the galleys (the first pass on the book's layout).

I just accepted an offer to edit a book of short stories by one of my favorite authors; more on that when I can officially talk about it, but it's an exciting project from a publisher I've long wanted to work with.

I've recently placed two more short stories and one article, with five more short stories in progress, so there should be a steady flow of new work coming from me over the next year!

There've been some nice reviews recently for both Tales of the Lost Volume 1 and Miscreations.

I'm also pleased to say that my work appeared in two anthologies nominated for the 2019 Bram Stoker Award:
Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror, edited by Eric J. Guignard (who also received a nomination in the First Novel category for his splendid Doorways to the Deadeye), and A Secret Guide to Fighting Elder Gods, edited by Jennifer Brozek.
Trick or Treat: A History of Halloween
My award-winning history of Halloween has just been re-issued in a new less-expensive paperback format!
Trick or Treat!
The Horror Writer
This new non-fiction anthology of writing tips includes a reprint of my essay "Focus!: How Writers Can Improve Their Productivity."
Inspire Yourself!
Tales of the Lost Volume I
Includes my story "Unity Endangered".
Get Lost!
The Phantom of the Opera
I wrote the afterward for this, the first volume in the Horror Writers Association's "Haunted Library of Horror Classics".
Get the Phantom now!
Dark Tides
This wonderful charity anthology includes a reprint of my story "Black Mill Cove". All proceeds will be donated to the Virginia Beach Tragedy Fund c/o United Way South Hampton Roads.
Give and receive
Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers 1852-1923
My Ghost Stories partner Les Klinger and I have re-teamed to dive deep for this anthology of amazing, terrifying stories by early female writers.
Pre-order Weird Women!
Miscreations
Miscreations, which includes my story "Imperfect Clay", is the featured book in the January Night Worms box!
It's alive!
The Lovecraft Squad: Rising
The final volume in this incredible "mosaic novel" includes a chapter by me.
The finale!
Final Cuts
My story "Family" is in this fabulous anthology, coming in June.
Lights...camera...ACTION!
HWA Poetry Showcase VI
Includes my poem "Meeting the Elemental".
Are you well versed?
Are you listening to the free Ghost Magnet with Bridget Marquardt podcast? Each week I provide a "Ghost Report" in which I talk about some cool little bit of history. Plus, there are great guests, and Bridget's a wonderful host!
This time it's a print copy of the next release in HWA's Haunted Library of Horror Classics, The Beetle by Richard Marsh (with an afterword by me). Just click the blue button below to enter, and good luck!
I want to win The Beetle!
Copyright © 2019 Lisa Morton All rights reserved.

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